VISUAL REVIEW. International Visual Culture Review / Revista Internacional de Cultura Visual https://journals.gkacademics.com/revVISUAL <p><em>VISUAL REVIEW</em> is a scientific journal that publishes original works of visual culture, analyzing how culture is manifested and interpreted through visual artifacts or products: paintings, printed works, photographies, films, television, videos, advertisements, cyberspace, scientific images, and news. The journal welcomes research articles, critical reflection articles, systematic review articles, book reviews, and proposals for the publication of Special Issues. The journal is peer-reviewed (double-blind) and publishes papers written in Spanish, Portuguese and English.</p> en-US <p>Those authors who publish in this journal accept the following terms:</p> <ol> <li class="show">Authors will keep the moral right of the work and they will transfer the commercial rights.</li> <li class="show">After <strong>1 year</strong> from publication, the work shall thereafter <strong>be</strong><strong> open access </strong>online on our website, but will retain copyright.</li> <li class="show">In the event that the authors wish to assign an <a href="https://creativecommons.org/about/cclicenses/">Creative Commons</a> (CC) license, they may request it by writing to <a href="mailto:publishing@gkacademics.com">publishing@gkacademics.com</a></li> </ol> publicaciones@gkacademics.com (Equipo editorial) publicaciones@gkacademics.com (Equipo de soporte) Wed, 04 May 2022 09:51:36 +0200 OJS 3.3.0.8 http://blogs.law.harvard.edu/tech/rss 60 Opening the Limits of Artistic and Social Expression https://journals.gkacademics.com/revVISUAL/article/view/2864 <p>The 20th century marked a before and after in the Art. Fundamentally, the emergence of the avant-garde brought new ideals that allow the open work approach. Therefore, from the current context of the 21st century, we ask ourselves: How does the Art express this idea of open work? And how does the Art of today manage to expand towards social and communicative pretensions that involve the viewer in new forms of participation? It is because we show different examples, which tell us how the situation of the author and the viewer in front of the work has developed.</p> Lorena Cuenca Ramón Copyright (c) 2022 VISUAL REVIEW. International Visual Culture Review / Revista Internacional de Cultura Visual https://journals.gkacademics.com/revVISUAL/article/view/2864 Wed, 04 May 2022 00:00:00 +0200 Production and Reception of Iranian Feminist Cinema: "The Unwanted Woman" https://journals.gkacademics.com/revVISUAL/article/view/2817 <p>This study brings together the work of Tahmineh Milani, known for directing Iran's highest-grossing film and for winning international awards. In her career, she stands out for her political treatment, having had problems with censorship, and for being the first imprisoned filmmaker in the country's history. This is why this research aims to analyze the repercussion of Milani's work, from the point of view of its production and reception. In this respect, historical documents serve to contextualize the cinematographic activity of the filmmaker and the analysis of her work.</p> Negar Sadeghian Copyright (c) 2022 VISUAL REVIEW. International Visual Culture Review / Revista Internacional de Cultura Visual https://journals.gkacademics.com/revVISUAL/article/view/2817 Thu, 12 May 2022 00:00:00 +0200 Construction of Shared Semantic Spaces through Gestures in Interpreter-Mediated Psychotherapy Sessions https://journals.gkacademics.com/revVISUAL/article/view/2933 <p>Gestures are an inherent part of all face-to-face interactions. Nevertheless, their role in interpreter-mediated events has so far been marginalized in the field of interpreting studies. Based on a multimodal corpus of interactions in child psychiatry with migrant patients, this research focuses on the use of iconic gestures, their role in bridging the linguistic gap and in performing cultural mediation. The results of the study suggest that gestures play a part in the construction of shared semantic spaces and act as a marker of interpreting fidelity, hence, becoming corner stones in the trust-building process between the migrant patients and the public service interpreters.</p> Monika Chwalczuk Copyright (c) 2022 VISUAL REVIEW. International Visual Culture Review / Revista Internacional de Cultura Visual https://journals.gkacademics.com/revVISUAL/article/view/2933 Thu, 12 May 2022 00:00:00 +0200 Management Models in Socio-cultural Transformative Organizations https://journals.gkacademics.com/revVISUAL/article/view/2806 <p>Comparative study of management models in holocratic organizations aimed at socio-cultural transformation. Two organizations have been selected, from the same sector (knowledge industry), but in different regions (America and Europe), to verify their operational similarities and differences and level of results.</p> Antonio Sánchez-Bayón, Sergio García Magariño Copyright (c) 2022 VISUAL REVIEW. International Visual Culture Review / Revista Internacional de Cultura Visual https://journals.gkacademics.com/revVISUAL/article/view/2806 Tue, 17 May 2022 00:00:00 +0200 Public Sphere and Spaces to Live https://journals.gkacademics.com/revVISUAL/article/view/3127 <p>The City, as a political, social and cultural construction is a product of the symbolic interrelationships that evolve, transform and reinvent themselves in the timeline that becomes a stage, a common space, the public sphere defined by Jürgen Habermas. In this context, the link between the imagined, the virtual and the real intersect to generate an interesting dialogue between the collective imagination and the production of reality. A journey of experiences in which the “gaze” is altered by some constructions of power and representations, that are reproduced in a transmedia framework of global interconnectivity.</p> David Serra Navarro, Carme Ortiz Valeri Copyright (c) 2022 VISUAL REVIEW. International Visual Culture Review / Revista Internacional de Cultura Visual https://journals.gkacademics.com/revVISUAL/article/view/3127 Wed, 04 May 2022 00:00:00 +0200